Women's March by Misha Zadeh Graham

My mom at the Women's March on Seattle, holding my 'Seeds' sign. Jan 21, 2017

My mom at the Women's March on Seattle, holding my 'Seeds' sign. Jan 21, 2017

On January 21st of this year, my mom and 5 other friends and I participated in the historic Women's March (or Womxn's March) on Seattle. I didn't realize the impact it would have on me as a person and as an artist. There were bright and beautiful people in attendance in all directions as far as the eye could see. Predictions were at 50,000. Crowd estimates put the final tally at 175,000. Anyway, it was such a positive, hope-filled event and it gave me such a feeling of community.

Just before the March, I was inspired to create an illustrated quote of a moving Mexican proverb, "They tried to bury us — they didn't know we were seeds." I first learned of the quote a few years ago and I had such an emotional response to it. It is stirring, yet ultimately resilient and hopeful, which is the way I roll on my good days. I had no sketch, I just sat down with my paintbrush and started lettering and growing my seeds in a watercolor palette of deep blues, oranges, reds and pinks.

The signs got a lot of positive responses from marchers, as did our Pincause Pins (follow the link to learn all about this fantastic group and their amazing mission).

I submitted a vertical version of the sign to the Hear Our Voice callout by the Amplifier Foundation for Women's March posters and was thrilled to hear that it was selected to be featured out of more than 5,000 entries. You can purchase an archival, Giclee print of this art at my Etsy shop. I will be donating 20% of the sales of this print to El Centro De La Raza. You can also download a vertical version for free for personal use via Amplifier. On February 18th, the official Women's March Instagram page featured my sign as the Resistance Sign of the day and it has over 38,000 likes(!!!!). I am honored that a piece so personal to me has resonated with so many other people.

Women's March print by Misha Zadeh

Women's March print by Misha Zadeh

The night that we returned home from the march, I was moved to create another painting — this time commemorating the historic day. I illustrated 4 women of different backgrounds. Two of them represent me and my mom. Two of them are wearing Pincause pins, and they all have fabulous outfits and dos. I also added a pink cat as a nod to the pussy hat project. This piece is also available via Etsy, and I will be donating 20% of the proceeds The ACLU. Haven't they been doing amazing work recently?!

Were you at the March? Which city? And what was your experience like?

2016 UV Holiday Campaign by Misha Zadeh Graham

Misha Zadeh for University Village. On property promotional signage featuring vibrant watercolor illustrations.

Misha Zadeh for University Village. On property promotional signage featuring vibrant watercolor illustrations.

I was thrilled to work with the team at University Village shopping center on their holiday marketing campaign for the second year in a row. This year, we went with gestural watercolor illustrations in a palette of sapphire blue, lush pinky red, warm orange and inky black — which stood out against a crisp, white background. I did some hand lettering, and of course there was a fair share of quirky creatures.

It is a joy to work with a team so receptive to my work, and to promote a place where I've spent a great deal of time over the years. I have particularly nostalgic memories of days spent roaming the peaceful outdoor spaces with my little ones in a stroller — window shopping, enjoying snacks, and watching them climb on the outdoor play structure before the time they reached the age limit. It's my go-to place for creative stimulation — from the stunning, year-round landscaping on the property to the wonderfully curated shelves and walls of Anthropologie, Ravenna Gardens, Fireworks, and the Land of Nod. A visit is not complete without a tasty lunch from Pasta & Co, and of course a macchiato with chocolate covered orange confit from Fran's. Side note, I'd love to do some illustrations for Fran's!

Being a Seattle native, I've seen UV grow and change and become the hub of the neighborhood in the shadow of the University of Washington (my alma mater). I look forward to seeing what the future holds for UV.

Beyond Design: 6x6x3 Art Opening by Misha Zadeh Graham

New work by Julie Jacobson, Amy Hevron and Misha Zadeh debuting at ZINC Art + Object November 17, 2016.

New work by Julie Jacobson, Amy Hevron and Misha Zadeh debuting at ZINC Art + Object November 17, 2016.

About a million years ago, Julie Jacobson, Amy Hevron and I worked as graphic designers at a lovely Seattle firm by the name of Werkhaus. Sadly, Werkhaus is no longer around, but I feel very fortunate for the professional opportunities and the personal friendships that I developed while there. Amy and Julie are now working in mixed media painting and I am a huge fan of both of them. I proudly own one of Amy's first original paintings on wood, Darius the Monkey!

Anyway, the three of us were delighted to be invited to participate in a group show by the fabulously talented dynamo Laura Zeck at her Edmonds-based gallery and shop, ZINC Art + Object. We have all previously participated in solo shows at ZINC, but this group effort has been very special. Our only limitation was to create the work on 6" x 6" panels. I'm excited to view all 36 pieces hung together and hope to see some of my local friends and fans at the opening reception this Thursday night, from 5-8pm. The show will be up through December 12, for those who miss the opening. Let me know if you see a piece you want, but can't get to Edmonds. Some have already been reserved.

Entomology series by Misha Zadeh. 12 original 6"x6" acrylic ink paintings with gold detailing on watercolor paper, mounted on 1.5" wood panels. Each fantastical insect is paired with a positive trait like 'compassion', 'integrity', 'wit','humility'.

Entomology series by Misha Zadeh. 12 original 6"x6" acrylic ink paintings with gold detailing on watercolor paper, mounted on 1.5" wood panels. Each fantastical insect is paired with a positive trait like 'compassion', 'integrity', 'wit','humility'.

Here are a few of the images. All will be added to my licensing portfolio after the show. Contact me to see more.

 

 

The future is yours by Misha Zadeh Graham

Vote 2016 / Misha Zadeh

Vote 2016 / Misha Zadeh

I created this artwork on election day, full of optimism, and frankly a fair bit of confidence that my candidate would win. What an exhausting several few months we've been through. I experienced more emotions during election week than I have since about 2000. After a few days to process and reflect, I land at this: we are extremely fortunate to be living in a country of free and fair elections. Post election, I am realizing that the second sentence in my quote is the more important one. It is time to work for the issues and outcomes that matter to you. This was a call to action to engage in the democratic process. I have so many more feelings about this, but this is an art blog, not a political one. Choose love. Work hard. Try to be compassionate to those who don't look or think like you. Be kind. Make art.

West Elm Seattle by Misha Zadeh Graham

Exciting news: I'm West Elm Seattle's Artist of the month for October.  West Elm is a national home furnishings store and part of the Pottery Barn family. Kind of like the more modern, edgier little sister. I've been a huge fan since they opened their South Lake Union location a few years ago (2201 Westlake Ave). In addition to their own gorgeous furniture and housewares, each West Elm store carries a selection of goods made by local vendors. They also offer local artisans the opportunity to host weekend Pop-Up shops within their space –I'm doing one on December 10th, please save the date!) and they have a dedicated wall where one local artist shows their art for the whole month. Each employee I've interacted with has been fantastic, too. You must go and check out their beautiful wares — and living plant wall — and my art, of course.

My husband Ben and I hung my show (12 framed, one of a kind, cut-paper artworks) on Saturday and by Monday five pieces had already sold, so I was back today replenishing with new pieces. As mentioned, the show will hang through the end of October, so please stop by if you are in the neighborhood. Looks like there might be new pieces added weekly! The subject matter is quirky animals. Mostly owls but a few other surprises thrown in, too. All made from my own etchings and monoprints, with additional hand-drawn embellishments layered on top. Pops of vibrant color and my typical modern touch. Also, each animal has a back story and you get to read all about it once you've bought the piece. If you see something you like but can not make it down to the shop, let me know and we can arrange an online sale. I am happy to ship the matted pieces, unframed.

Buyers who email me after their purchase will receive a thank you gift of holiday letterpress cards.

Join my mailing list to hear about upcoming news and events.

 

 

Ten years of the Seattle Iranian Festival by Misha Zadeh Graham

In 2006, IACA founder Ali Ghambari worked with the fabulous staff of Seattle Center to add the Iranian Festival to their growing list of annual cultural celebrations under the Festál umbrella. I had just had my second baby and couldn't believe my eyes when I saw posters about the event around town. Growing up, the Persian community in the greater Seattle area was quite small, so to think we would now have our very own festival was quite amazing. My second thought was, who puts this on — and why am I not involved?! My family and I went to the festival, which was fun and humble and held in one of the smaller venues at Seattle Center. By the time the second festival had come and gone, I decided that professional level design work would help elevate the festival and not only entice a larger audience to the event, but would attract higher level performers and guests. I approached the IACA with my proposal, and soon found myself as the art director for the festival — not only creating the graphic look and feel of each year's festival — but coming up with the theme the majority of the time.

Design-wise, I've wanted to make each year unique in terms of theme/iconography and color palette. I have selected visuals that are universal or relatable, while still being 'Iranian'. I have managed to throw in second reads and hidden meanings some of the time. Like the rest of my work, the vibe is modern and dramatic with a bold use of color. This helps the artwork stand out in a sea of busy cafe posters clamoring for your attention. You can look through an album of posters with explanations about the meanings on my Facebook Page. Which is your favorite, and why?

By my second year, I introduced a literary component to the festival, and brought on Elliott Bay Book Company to have a prime booth and offer titles by Iranian and Iranian American authors. I also began a tradition of hosting a featured writer each year. My first was Jasmin Darznik. I went on to bring in Anita Amirrezvani, Louisa Shafia, Porochista Khakpour, Hamid Rahmanian and Najmieh Batmanglij. Hosting these talented memoirists / novelists / cookbook writers / artists has truly been a highlight of my life.

This year the festival celebrated it's tenth year. I heard numerous comments about it being the best one yet in terms of the level of performers and guests, food, as well as attendance. In addition to Nahmieh Batmanglij, cookbook author and the guru of Iranian cooking who has appeared on the Martha Stewart show AND recently put together a Norooz dinner at the White House (!!), I was honored to help bring in renowned architect Hossein Amanat to speak about his stunning Azadi monument complex, the subject of this year's poster, which has become a symbol of modern Tehran, and which he designed as a young university graduate back in 1966. He is a living legend, and a truly kind and humble man. What a treat to hear him discuss the conceptual goals behind the piece — which undoubtedly led him to win the nationwide competition to design the monument at such a young age.

Learn more about this (and previous years') festivals on the IACA page.

My Video Debut by Misha Zadeh Graham

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Ever wondered what SURTEX is all about? According to show organizers, it is "The premiere event for sourcing original art & design—where artists, art agents, licensing agencies and licensors connect with manufacturers and retailers to create the next best-selling products in every category imaginable."

Here's a great little wrap video about the 2016 show. Misha Zadeh Illustration & Design is very excited to have been featured among many other fabulous exhibitors. Thanks to Karen LeBlanc of The Design Tourist for choosing to interview us. Overall, a great experience launching my illustration and surface pattern work. If you're an art buyer, please email me for a link to my full licensing portfolio. Join my mailing list to get my latest art and news.

Extra! Extra! Read All About It... by Misha Zadeh Graham

A little illustration about my experience at SURTEX in Manhattan in May. A little rain, a little luck, and a whole lot of passion and heart in NYC.

A little illustration about my experience at SURTEX in Manhattan in May. A little rain, a little luck, and a whole lot of passion and heart in NYC.

You might want to sit down for this one. I *finally* launched my first eNewsletter. For some reason, I agonized about it far too long. This first one tells you a little about my back story. Future ones will be more brief and will focus on new work.  I hope to send one out every 3 to 6 weeks to keep you updated on the latest and greatest here at Misha Zadeh Illustration & Design.

Subscribe to my mailing list to make sure you get the next one in your inbox!